Episode Transcript
[00:00:10] Speaker A: Yo, it's 40 fonz.
[00:00:11] Speaker B: What's your name, scumbag?
[00:00:12] Speaker C: Yo, yo, yo, I'm your boy, K Stuckey, 76.
[00:00:15] Speaker A: And we are the Scumbag Lounge podcast. Get your scumbag news here Wednesday. All podcast platforms. Be sure to give us a like share. Follow the five star rating. Be sure to catch the scumbag lounge or dollar video online on on Wednesdays at 04:00 p.m. and follow us at the scumbag lounge on Twitter, Facebook, Instagram, and TikTok. Email us at the scumbag lounge at gmail. What's up, sly?
[00:00:35] Speaker C: What up? The.
[00:00:36] Speaker A: Not much, man.
[00:00:37] Speaker C: Excuse that. What's that?
[00:00:39] Speaker A: Chardonnay.
[00:00:41] Speaker B: What's up, fellas? How y'all doing?
[00:00:43] Speaker A: Good, good. How you doing?
[00:00:45] Speaker B: I showed up for work today.
[00:00:47] Speaker A: I know. Cause I sure got phone calls last week, like, where's Chardonnay at?
[00:00:53] Speaker B: Oh, yeah, it be. Things be happening. Things be happening. But I made it this week.
[00:01:00] Speaker A: Word, man, for sure.
Back. Fully staff, everybody here. The pod fully staffed.
[00:01:06] Speaker B: A lot of stuff going on.
[00:01:08] Speaker A: A lot of stuff going on. Everybody had a good week.
[00:01:15] Speaker B: I had an amazing week. Yeah, that an amazing week. School's over with.
[00:01:20] Speaker A: Oh, okay. Yeah.
[00:01:22] Speaker B: So what you got out for the summer? We're done.
[00:01:24] Speaker A: So what you got planned for the summer? Anybody? Anything's planned for the summer?
No.
[00:01:30] Speaker B: I'm going to New Orleans.
I'm going to New Orleans. I got a couple concerts lined up.
[00:01:36] Speaker A: Concerts. Okay, concert. We start off with.
Hmm.
[00:01:44] Speaker B: Charnet, say it again.
[00:01:47] Speaker A: I said, what show was you starting off with?
[00:01:50] Speaker B: Oh, t pain. T pain is coming down here.
Yeah. And then we're going to see some rapper my son wants to see. He'll be here at the music farm, too. So both. Both of the shows are in the city. I don't have to travel to go see these people.
[00:02:10] Speaker A: Okay. Okay.
[00:02:12] Speaker B: I'm very excited to see t pain, though. I've never seen him before. I'm a fan, so I'm excited to see him.
[00:02:18] Speaker A: Time for pain drops of new music.
What do you think, t pain? Time for him to drop some new music.
[00:02:26] Speaker B: He does drop new. You see? See how you don't be listening? Oh, see how you don't be listening?
T pain is always making music.
Y'all just don't follow him. Y'all don't keep up.
[00:02:39] Speaker A: I gotta see what he got going on. There come a pam a pain fan, too. I like pain.
[00:02:44] Speaker C: They cool.
[00:02:46] Speaker B: Well, you should call him. The show is really cheap. The show is actually really cheap. It's not that expensive. I think we paid like 50, $60 for a ticket.
[00:02:55] Speaker A: What's the date?
[00:02:56] Speaker B: But it's outside, though.
June 27.
[00:03:01] Speaker A: Oh, no, I gotta be. I gotta.
When is that? That's like a little Thursday or something, right?
[00:03:07] Speaker C: No, that's a Saturday.
[00:03:08] Speaker A: That's a Saturday.
[00:03:09] Speaker C: Friday or Saturday, I think. Cause my people be down from Baltimore.
I think my people be down for Baltimore that time in Myrtle beach. Yeah.
[00:03:19] Speaker B: You're not gonna. Yeah, you're not gonna be able to go. It's on the 27th. I think that's a Thursday.
[00:03:25] Speaker C: Is that a Thursday?
[00:03:26] Speaker A: Yeah, that's a Thursday.
[00:03:27] Speaker C: I know.
[00:03:28] Speaker B: Oh, my bad. My bad.
[00:03:29] Speaker A: Y'all.
[00:03:30] Speaker B: Y'all working people. That's a Thursday.
[00:03:31] Speaker C: I'll be out that. That weekend. Folks gonna be from Baltimore in Myrtle beach. So I'm gonna go check them out. Family from Baltimore.
[00:03:40] Speaker A: Oh, there'll be a murder.
[00:03:41] Speaker C: Yeah, they'll be a murder beat.
[00:03:42] Speaker A: So that gonna be a murder that Saturday.
[00:03:46] Speaker C: I'll go down there and check them out.
[00:03:47] Speaker A: I'll be in Charleston. I'll be in Charleston next Saturday.
Charnet. So I'm supposed to be going to the. What's the crab house or something like that.
[00:04:01] Speaker B: The crab house?
[00:04:03] Speaker A: Yeah, that's what it called.
[00:04:06] Speaker B: Oh, okay. What's wrong with this is for a.
[00:04:10] Speaker C: Special event, this Father's Day going.
[00:04:14] Speaker A: Little reservations and stuff.
[00:04:16] Speaker C: Father's Day weekend.
[00:04:17] Speaker A: If you don't like crab House, you still could just pull up and have a drink. Show you like drinks, right?
[00:04:24] Speaker B: We got a couple crab houses. I would have to see which one you talking about because I don't like neither one of them. So best of luck.
The crab house. And then we have the crab shack.
[00:04:34] Speaker A: It might be that. I don't know.
I don't know.
[00:04:38] Speaker B: Yeah, I don't. I don't fuck with no crab house now. But you guys have a good dinner. It might be nice. You might like it. Don't. Don't listen to what I'm saying. Go check it out yourself.
[00:04:47] Speaker A: You to pull up.
You don't got to eat crab.
[00:04:52] Speaker B: No, I'm going out of town. I'm going out of town that Sunday. I'm going to New Orleans.
Yeah.
[00:05:00] Speaker A: Anyway, man. Slime, you got anything?
[00:05:03] Speaker C: Bills.
[00:05:06] Speaker A: I think we all got those.
[00:05:07] Speaker C: I mean, shit.
Bills, man. Yeah.
[00:05:13] Speaker B: That's what you got going on for the summer is bills, bills.
[00:05:17] Speaker A: This summer is really fucking expensive.
[00:05:19] Speaker C: Damn right it is.
[00:05:20] Speaker A: I got two damn. Two family unions and damn trips and shit myself, so. Shit, that is something expensive.
[00:05:29] Speaker C: It's right now, outside of that, well, got the Smith side of family reunion on the 6th.
Martin Mustang. Martin gang at that side of the family.
I mean, other than that, man, just for the light, immediately let the next.
[00:05:49] Speaker A: 60 days on the 6 July.
[00:05:51] Speaker C: Yeah, you know, fourth one's on a Thursday.
[00:05:53] Speaker A: I know. Who had friend revenue on 4 July weekends.
[00:05:57] Speaker C: They do.
They had it like that last year, though. Oh, yeah, on that weekend. So, you know, people out, a lot.
[00:06:06] Speaker A: Of people be vacationing and shit.
[00:06:08] Speaker C: Yeah. Do something different. So, you know, you got to.
But yeah, man, outside of that, you know, got stuff coming up later on a couple months, concerts and stuff like that. So we'll see what go. We'll see how it go.
[00:06:26] Speaker A: Word, man.
[00:06:27] Speaker C: Well, oh, yeah, go ahead.
[00:06:31] Speaker A: That's a good little rundown. Go ahead. We about to jump into the show for you.
[00:06:34] Speaker C: Or we could jump in, man. We can jump in and tell you all my personal business.
[00:06:37] Speaker A: Well, let's start off, man, with down. Since we kind of already started with them all. Concerts and shit, man, personal affairs. Let's talk about comments Mel had to say Method man, who allegedly saying he won't be returning to summer jam, said he was done with the summer jam due to generation gap.
Not our crowd at all. He reportedly commented on a hot 97 post about his performance and he wanted to thank New York and the whole tri state. I got love for you guys, but never again. At this point, the generation gap is too wide for me. Hashtag never coming back.
So, hey, man, what do y'all think about male comments in his summer jam?
[00:07:21] Speaker C: Oh, you go ahead, charny, you go ahead.
[00:07:27] Speaker B: I think it makes all the sense. I think the really, really, really great way for a legendary artist, a legendary pair, a legendary group to realize, like, this doesn't make sense for us.
So I think it's a great way to kind of bow out and just be like, listen, we want to keep our legendary status. We do not want to keep performing in places where it just doesn't make sense that the audience doesn't connect with the music. They don't know the music. So, you know, we just bow out gracefully and, you know, invite us back whenever you have an age appropriate audience.
[00:08:04] Speaker A: Hmm.
What do you think?
[00:08:07] Speaker B: I think that makes a lot of sense.
[00:08:09] Speaker C: I mean, I gotta agree.
[00:08:10] Speaker B: I think more artists should do that. I think more artists, especially older artists, as they age and their music ages, because music is timeless. However, as it ages, when it, you know, when we're in referencing towards like, age groups and generational gaps, it's just sometimes you got to know when to kind of hang it up a little bit. Especially if you're not putting out relevant music. Like, we watch method man pivot into different areas of the industry. So if he's not putting out any new music, like, in the audience, is not his. His age gap. His. I mean, excuse me, his age group, then it doesn't make any sense.
[00:08:46] Speaker C: I mean, hey, I kind of agree. I agree with meth, man, what he's saying. You know, if he. He out there, you know, him and red, man, the Rottweiler ain't going handle 18, 2022, 23 year old jumping out a seat, man.
We might react to the Rottweiler, but dang.
Now you turn around and bring a sexy red out of ligand. Lose their minds because they younger.
You ain't jumping out your chair for sexy red. Not talking about, you know, age pro.
[00:09:19] Speaker A: I like sexy red. I know you will jump out my seat for sex.
[00:09:22] Speaker C: Sometimes you. Sometimes you do stupid shit. So how you run off the rails?
[00:09:28] Speaker B: I mean, I'm with you. I'm with you, too. I'm a hop up for Stacy, too, because I like her.
[00:09:33] Speaker A: Me, too.
[00:09:33] Speaker B: But I also embrace the younger generation. Like, I'm, like, right in between, to be honest. So I like both. You can pull out a messy man or you can pull out a sexy red. I'm cool with either one.
[00:09:42] Speaker C: I don't have. I don't have a problem. Method man saying what he said. I don't. He. Because if he's the type of performer that feeds off the crowd. Cause they do. They do. Their music is like, crowd types music, right? And the crowd ain't in it. Just. I mean, and it's a disconnect. At least he got sense enough to recognize and be like, you know what? This type of crowd ain't out. Maybe we need to do more to, like, the legends hip hop type stuff, where you got your older performers there and your older crowd there. So I ain't got no problem with that.
I don't have no problem him saying that. And then get out there and the crowd don't be moving. Somebody put that shit on Twitter, and you see the dead crowd out there and you see them out there performing, it's gonna look even worse for them.
[00:10:26] Speaker A: I got a problem with minthe man, saying this.
[00:10:28] Speaker C: Okay, well, what's your problem? What's your issue?
[00:10:31] Speaker A: My problem with, I think two parties at fault here, man. I think it's. I think deflected the blame to generation and gap in the crowd. I think the people who put the lineup together for summer jam.
[00:10:45] Speaker C: Okay. Yeah, I agree with that.
[00:10:47] Speaker A: And I blame f and Red come once you. Once. They got a right to say, no. I don't think that. I don't think we fit in here.
[00:10:55] Speaker C: Well, you don't know until you get out, though.
[00:10:57] Speaker A: He's not. They know the line, huh?
[00:10:59] Speaker C: Well, I mean, the EPMD was on lineup to EPMD, big Daddy Kane.
[00:11:05] Speaker A: And the lineup definitely was horrible.
[00:11:09] Speaker C: Yeah, but again, those.
[00:11:11] Speaker B: But it should have been split. It should have been split because if you look at the lineup, the half of the lineup was a bunch of younger people.
[00:11:18] Speaker C: Right?
[00:11:18] Speaker B: A bunch of younger artists, aside from Todd Dollar sign in French Montana, which we know they have a little bit of age on them, right? And then you have the second half of the lineup, which were the OG hip hop pioneers were on there because they were doing a mister c tribute. You know, in my opinion, they should have done it in two days. They should have did the younger stuff one day and then the tribute the next day, because the tribute would have brought in the appropriate. The age appropriate crowd. But I do agree with what he's saying when he says, you just never know until you try it. And that's the pass that I give method man and red man, I give him that pass more than I give somebody, like, 103,000 that, you know, basically showed fear of continuing to go because he didn't know how people would receive him. But method man and Redman at least tried it, and they said, okay, now this ain't gonna work.
[00:12:07] Speaker A: You talk about Andrew?
[00:12:11] Speaker B: No, not the flu. Well, he was brave. Well, I did it. He was very brave for making a transition.
Yes, he told you he was brave for that. But what I'm saying. What I'm saying is, I'm talking about Andre the rapper, because we've had these discussions before, and we, us, as our people, culture, culturally, hip hop, black people, southerners, we have goaded Andre. Right. Rightfully so. Right. He is goaded. And I think there's a lot of pressure that we put on him, you know, to come back out and be the same Andre from bombs over Baghdad, from, you know, elevators. And I think that Andre stayed away for so long. I think a part of it has to do with his confidence, anxiety, and all these other things that really come out here and be successful all over again. I don't think he saw it for himself. We saw it for him, but he didn't see it for himself. But at least method man and red man had the balls to go out there and say, okay, well, fuck it. I don't care if sexy red and Lola Brooks is on here. We're still going to go do our thing. And they saw that. Okay, this is not going to work.
[00:13:12] Speaker C: Because for me, if I met the man, red man and Lola Brooks get more crowd participation than me, I'm going to have a fucking problem with that.
That tells you, right? There's no Lola Brooks. I'm just saying as far as what I would see if that was me in them shoes. Like, bro, I don't be putting out music. Yeah, yeah, yeah, yeah, yeah. My shit is out here. Lola Brooks is here. I'm here. You see them saying, so, but I've been out here. Yeah, I've been doing this. You know, I'm saying so.
[00:13:45] Speaker B: But in all fairness, that's why he said that the age that, like, the generational gap, because in all fairness, the people, the kids that are listening to Alola Brooks may not know all the best man and rare man's music. Because aside from those two being a duo, right. Remember, they was a duo, but methamphetamine started with Wu Tang. So method man has more of a story than red man does. And then red man broke off and they started doing their own things separately. So it's a lot of history there that these kids may not be up on musically.
[00:14:12] Speaker C: Cats ain't gonna know what time, ain't never heard time for some action by red man. One used to get played every day on rap City.
Right, right. So I agree. You know, like, sometimes you got to see how you see it. And back to the Andre point, he did say in one of those interviews, that is what he gonna talk about, selling dope.
Like, what do you. What is he gonna rap about? That's not what he do.
So.
But I will say Andrew will.
He would just use that example. What I'm telling you, he will. He can outrap 98% of these niggas out here. Now, if he decides to, I promise you that.
[00:14:59] Speaker A: Probably so.
[00:15:00] Speaker C: Well, that's all I needed. That's all I need. Then that's it. Good with it.
[00:15:04] Speaker B: Let me ask you a question. Let me ask you a question. Do you think the crowd would have received ll cool j over a method man and red man?
[00:15:13] Speaker C: I don't know. I don't know. That's a good question. Maybe they would have been sitting there still, you know, talking to each other and blowing a vapes while. Because you love at this motherfucker.
[00:15:26] Speaker B: In my opinion. Now, I could be wrong, but in my opinion, you would. I feel like a younger person would know what ll cool j song. Quicker, faster. They could quote a ll cool jason faster than they quote a method man song.
[00:15:40] Speaker A: Mmm.
[00:15:43] Speaker C: Yeah, I guess. Yeah.
[00:15:44] Speaker A: Yeah, I got a question.
[00:15:47] Speaker B: So maybe. Maybe it could be just the artist that they chose. Maybe.
[00:15:51] Speaker A: Who you think got the worst crowd reaction? Meth and red or Andre 3000?
[00:15:56] Speaker B: Oh, man.
[00:15:57] Speaker C: Well, they both were standing there.
If you want to. I mean, you keep throwing it. You keep throwing the whole. You know.
Cause he's playing a flute. But yet, if he ever grabbed a microphone, I promise you he'll kill ti. Your favorite.
[00:16:21] Speaker A: He'll be different.
[00:16:22] Speaker C: He'll kill ti. Yeah, it'll be different. Because the at aliens concert, if you look back at it, that at aliens concert, the 25th anniversary, that shit would pack.
[00:16:38] Speaker B: But the advantage to that was the region. He was in his region. He was.
[00:16:42] Speaker C: Mister madam was too.
[00:16:45] Speaker B: Well, you know, he was too.
[00:16:46] Speaker C: They were in New York now, which.
[00:16:48] Speaker B: Is why I asked about ll, because ll's from New York as well. So maybe it was a bad choice of art and shows, the fact that.
[00:16:55] Speaker C: Yeah, 97 does the regional thing. Anyway, man. Yeah, they had Sleepy hollow. I would've never signed up when I saw Sleepy Hollow as one of the.
[00:17:03] Speaker A: Motherfuckers rap sign up for hell no.
[00:17:06] Speaker C: The hell fuck I look like doing with Sleepy Hollow?
[00:17:09] Speaker A: Chef G. And I was supposed to show up.
[00:17:11] Speaker C: So them niggas do black for Trump song. Get the fuck outta here.
[00:17:14] Speaker A: They weren't supposed to show up, but they did.
[00:17:15] Speaker C: See, this is where I think, you know, you get your money, you secure your money, right? They probably cut them a nice little check to beat them. I can't knock nobody for getting their money. But sometimes the result don't equal that. Sometimes you risk running and looking bad out here for the check.
[00:17:31] Speaker A: You think Melf did it to get just signed up for it to help get ready check?
[00:17:36] Speaker C: I wouldn't say that. I mean, I wouldn't say that.
[00:17:38] Speaker A: Cause Mel got his own shit. Melf don't need that shit.
[00:17:41] Speaker C: Anybody, nobody turned out no money.
I mean, I don't know how much, 50 paying him to be on the show, but again, yeah, I'm sure Redman got his hands on a bunch of other shit too. He ain't just sitting around doing nothing. We just might not hear about it.
[00:17:57] Speaker B: Hot 97. I don't think the hot 97 money is worth the embarrassment.
[00:18:01] Speaker C: Yeah, it's worth that.
[00:18:03] Speaker B: I don't think it's worth the legendary status that they have and that they can maintain by just doing what works for them.
[00:18:10] Speaker A: I don't think red, man, how many.
[00:18:12] Speaker B: Times you gonna go out there to a festival with all these young kids and these niggas don't know what the hell you perform and they booing you. They don't. Cuz these niggas, like, throw cell phones and all kind of silly shit on stage now. Like, it's not worth all of that.
[00:18:24] Speaker C: Yeah, yeah. Sometimes the money don't equal up the results sometimes. And, you know, because if the money was good, he would never say what he said. He would never say, I ain't come back this motherfucker.
You just say, you know what? Hey, I'm getting my money. I'm getting my bag. I don't care if y'all niggas sit up and say something or not. I'm gonna get my money.
[00:18:42] Speaker B: Ain't getting no pass either. Because he can't. He can't perform that fluke stuff everywhere, either. And be well received. And that's not fair. Like, I'm not gonna. I'm not gonna continue to give you all of this love and all this hype. And then you think because you are who you are, you can sit down and play this. Play this nail salon music.
[00:19:00] Speaker C: This is. This is my point with that. I don't know.
It's not like my thing is with that. When they asked him to perform, they knew what they asked him to perform, though, I think ain't even good. You know what I'm saying? Okay. A lot of people ain't good at rapping, but the ass is out here doing it. So who ain't good at rap? Nigga. Who you want to go down line, nigga?
Shit, I can run off ten hot niggas and wearing he got no business in. No matter. Okay, okay. So everybody that call themselves a rapper, good. Lil Uzi Verde is a good rapper.
Fuck outta here.
Your girlfriend won.
[00:19:41] Speaker A: Who?
[00:19:42] Speaker B: You don't have to.
[00:19:43] Speaker A: Which one? Sex already.
[00:19:45] Speaker B: You don't have to know what you have to. What we have to do is be honest, though. Like, we just have to be honest. I don't mind him playing the flute and finding a new lane to play in, because I think that's smart. Because Lil John's doing the same thing. Little John is making meditation music.
Lil John is literally making the king of crook. And yelling over the mic is making meditation music. And that's a whole nother lane that needs to be tapped into that. We are not into like that. So I think it's very small.
[00:20:10] Speaker C: But see, they know when they asked Andre to perform on them, they knew what they asked him to perform. I mean, they knew what they was going to get. So it's not like he just started rapping, threw the microphone down and bust out the flute on surprise shit, surprise niggas, and hit you with the fluke. Okay. Like, y'all knew when y'all asked Andre to go up there, what he was going. Y'all knew that, so you asked him to do that, and he did it, right. So I don't think that Andre's fault.
[00:20:38] Speaker B: But if it isn't. But if it isn't well received, you can't, like, mad at the public because if they're not feeling, they're just not feeling it. That's like. No, like, people have gotten booed on stage before and they doing tours and have gotten booed on stage.
[00:20:52] Speaker C: Wayne got. They boo Wayne ass off the stage. Like, you know what? Fuck this. I'm out.
They got Wayne Wayne off the stage with some booze.
So I don't have a problem. But I don't have a problem with the man saying, listen, man, this hot 97 crowd, this ain't us no more.
[00:21:12] Speaker A: No more.
[00:21:12] Speaker C: We'll do something else. I don't have no problem with that. Sometimes you gotta know when to say when, man.
[00:21:17] Speaker A: So you respect his honesty?
[00:21:18] Speaker C: I can respect it. At least he ain't burning. They checks up. Just taking money for nothing or just taking a time for somebody else to perform.
You know, I'm saying, they bro, back out. I ain't got no problem with it. Sometimes I know when to back out.
Or that toy, that or that camera pan, that crowd and your ass on Twitter with two people saying, yeah, yeah, you know, and everybody sitting down, you know, smoking vase and eating chicken wings and shit. You want to perform your ass off sweating and running around. Yeah, I wouldn't want that tape out.
[00:21:51] Speaker A: No, for sure.
[00:21:54] Speaker C: Hell, no. But you put me on ledges of hip hop with some other old school artists, with your EPMD's or your whoever, and let's make this do it that way. So I don't have no problem with the man saying that. Don't go back, Mel.
[00:22:08] Speaker A: Don't go back.
[00:22:08] Speaker C: Don't go back, bro. Hashtag never coming back. Never coming back.
[00:22:13] Speaker A: I feel him.
[00:22:15] Speaker C: Yeah, I can respect it.
[00:22:20] Speaker A: What about the dream? Dream got in the news this week.
Dream has been accused of sex trafficking, sexual battery and rape, and a new lawsuit. So here we go again with another one of our artists, sex trafficking and rape. Yeah, man.
[00:22:38] Speaker C: So some heavy words, bro.
[00:22:40] Speaker A: A Netherlands bass singer filed a federal lawsuit Tuesday, accused of the dream lure her into an abusive, violent and manipulative relationship filled with physical assaults and violent sexual encounters and horrific psychological manipulation.
After she left Netherlands for the US with hopes of making it as a big singer, the dream ended denying acquisition of the statement, which he said the claims are untrue and defamatory. And he said, and he said in a statement, I oppose all forms of harassment and have always strived to help people realize their goals. As someone committed to making a positive impact on fellow artists in the world at large, I am deeply offended and saddened by this accusation.
So the Netherlands singer stated that dream would lock her in a dark room adjacent to a recorded studio, violently having sex with her and then leaving her alone and naked in the dark for hours on end and returning to, and returning again to have sex with her and demand that she tell him she loved him.
Damn.
Well, here we go again. I will say.
[00:24:04] Speaker C: There'S some heavy words, man.
There's some words that hold even after you, even if you found not guilty on some of that stuff, get them words. Hold weight, man. When you get accused of doing something like that, like, you know, sex offender, first thing somebody think about when they hear sex offender, you did something to some kids the worst, you know, not you peeing outside the car and got caught peeing up the outside club, you know. So I don't know, man. I mean, right now we in the age of exposure, we're in the times of exposing, people are being exposed.
And I don't know, man. They gonna have to clear his name if he did it. But see these statements that are put out by these guys once they get told, you know, I'm helping careers and all that, man, that couldn't be me. You tell me I did something to you and I took something from you.
You ain't getting that qualified statement from me.
You ain't getting that, what you call it, politically correct statement for me.
You getting a real.
But you'll say, you motherfucking lying.
I ain't doing that. You know what I'm saying? Like, you ain't getting that old, you know, quote unquote, business statement. No, no. Hell no.
[00:25:39] Speaker B: Yeah, somebody like you would need media training.
[00:25:42] Speaker C: Well, no, I need to be quit. I need to quit being. If I'm being lied on.
[00:25:47] Speaker B: No, no, somebody like you wouldn't be allowed to talk. That's why you have your publicist. If you need media training, because somebody at his status, you can't just come out and just say, bitch, there ain't none of this shit. You can't cut up like that. It's the way to do it.
[00:26:02] Speaker C: My character is being attacked, people.
My name is being dragged, bro. So it's okay for that. But I can't.
[00:26:10] Speaker B: You cannot tell me how.
[00:26:14] Speaker C: But that's what I see. What I'm saying is, I'm saying if my name is being dragged, sex trafficking, you professionally respond back, I ain't got six. I ain't got professionally accluse.
[00:26:27] Speaker A: That shit backfired. Or Kelly, man.
[00:26:29] Speaker C: Okay, well, that's all killing, but that's fine.
[00:26:36] Speaker B: Even did he. Even did. He had a publicist put out. Put out a statement and that was a blatant fucking lie. But at least he had his publicist do it and not him.
[00:26:47] Speaker C: He still put out some old tape and he still looked like a fool, so.
[00:26:51] Speaker B: Right.
[00:26:51] Speaker A: He kept a crazy, horrible, horrible move.
[00:26:54] Speaker C: Yeah, he came out with that whole doctor statement until that tape came out.
[00:27:01] Speaker B: Yeah. It's not like he was coming out wanting to cuss people out. Like, you just can't do that. Once you reach a certain status, it's just best for you to just be quiet.
[00:27:09] Speaker C: Rick James. That we came on this day to the woman in the back, you know, who don't know me.
[00:27:14] Speaker A: Cam Porter. Daddy spoke up.
[00:27:15] Speaker C: I'm Rick James.
[00:27:17] Speaker B: Yeah, I saw you made a statement. Yeah, I saw him. And then he said some shit like, I never seen him do nothing. What do you say to Kim to that extent or took it that far?
He just didn't do certain things right. You see what I'm saying? Like, y'all knew some shit was going on. That just makes it worse.
[00:27:40] Speaker C: You said, wait a minute, hold on. Time out. I'm out of. Hold on.
[00:27:44] Speaker A: Yeah. I don't know why I say that. I don't know what the fuck he meant by him even saying that.
[00:27:49] Speaker B: I'm a fine.
[00:27:51] Speaker C: I think I heard what y'all said.
[00:27:52] Speaker A: That what he said, that what he said. He said he didn't seem.
[00:27:56] Speaker C: That.
[00:27:56] Speaker A: He didn't seem that into pretty much to that extent.
[00:28:02] Speaker C: But what extent did you see then?
[00:28:03] Speaker A: I don't know. That's why I was saying, what kind.
[00:28:05] Speaker C: Of shit is that?
[00:28:06] Speaker A: Why would he even say that?
[00:28:07] Speaker C: Come on, man.
[00:28:09] Speaker A: That make him look bad.
[00:28:10] Speaker C: Because you know why? You know what that looks like? That looks like that R. Kelly situation where a lot of these people turned a blind eye to some shit. Cause they were getting paid, you know, parents and whoever was getting checks and money from their. Their loved one. Working with Kelly knowing was wild shit. So I don't know, man.
[00:28:34] Speaker B: This is what? This is what he said. This was said. We both was wrong, okay? It says this.
It says, kim Porter flter was speaking out. Blasey blaze blah. He said, you can say I was disgusted with the video and I wouldn't treat my enemy like that. Porter told Rolling Stone it was despicable and I couldn't believe it. I was in Vietnam, and I wouldn't even do that to my enemy.
I didn't know that he could stoop that low.
I imagine it surprised a lot of people, and I wouldn't even do my dog like that.
I think he was a very jealous person, said Porter. They both loved each other very much. Kim. Love was a gentleman. Puffy's love. Puffy's love, though. I don't know what he calls love. You know what I mean? I don't really think he has any idea of what love means. My only concern are the children.
[00:29:21] Speaker A: No, no.
[00:29:23] Speaker B: This nigga said he went all the way to Vietnam and he wouldn't do his enemy like that.
[00:29:26] Speaker A: I called it catholic.
[00:29:31] Speaker C: Y'all beat me to this.
I had one caught and ready.
I had one cocked and ready for that.
Vietnam was probably the worst, one of the worst, bloodiest wars ever. You mean, tell me so, nigga.
[00:29:53] Speaker A: After that Vietnam comment, everything behind that was bullshit.
[00:29:58] Speaker C: Okay, so bullshit. Let little boy bullshit.
Yeah, come on, bro. Like, come on, bro. Now you. Now you going. You talk.
[00:30:09] Speaker A: So what do y'all think this means for down the dream?
We don't think this means for Beyonce.
[00:30:23] Speaker C: What I gotta do with him raping somebody?
If this means.
[00:30:27] Speaker B: You said you'll take. So you said you'll take.
[00:30:29] Speaker C: What they gotta do with Beyonce?
[00:30:32] Speaker A: A lot of her music.
[00:30:33] Speaker C: What I got do him rape somebody.
[00:30:36] Speaker A: Listen, man, if he go down for.
[00:30:38] Speaker C: This, I don't know where you're going with this one.
[00:30:40] Speaker A: What that mean for a lot of Beyonce music? Cause he write a lot of Beyonce music.
[00:30:46] Speaker C: Okay, so let me ask you this.
[00:30:47] Speaker A: Since what, 2009?
[00:30:49] Speaker C: So we do this podcast, right?
[00:30:51] Speaker A: Yeah.
[00:30:51] Speaker C: You go out here, do some wild shit to somebody, they gonna put that on me.
[00:30:55] Speaker A: No, you not misunderstanding what I'm saying.
[00:30:57] Speaker C: I truly am. So go ahead, explain.
[00:31:00] Speaker A: What I was saying is the dream, write a lot of music for people.
[00:31:03] Speaker C: Okay.
[00:31:04] Speaker A: And some of the biggest people he write music for is the Beyonce's and the Rihanna's, okay? So if he was to go down for this, it affect the more than just the dream. It affected other people around that he helped with their careers. Right or wrong?
[00:31:23] Speaker C: Wrong.
I don't agree with that, sco.
I can't. You can't hold. I can't. Okay, so just let me see if I got what you saying correct. Right, so before. Because what you're saying is he wrote songs for Beyonce and Rihanna, Neal. But he go ahead and rape somebody that's gonna affect Beyonce and Rihanna's song that he wrote for them.
[00:31:43] Speaker A: No, man.
[00:31:44] Speaker C: Okay, I may miss your point.
Okay. I'll just make a show. That's why I'm asking the question here.
[00:31:50] Speaker B: So let me.
[00:31:51] Speaker C: So let me just go ahead.
[00:31:53] Speaker B: Waiting for my turn to speak. Because you had already said your piece on it, because this definitely raises a red flag. Radars like.
[00:32:06] Speaker C: Hello.
[00:32:08] Speaker A: Oh, but. But what I'm saying is, you know, with people like this go down. It fix people around them too.
That's what. That's what I'm saying.
Shonda, you, uh. We.
[00:32:25] Speaker C: You cutting in and out.
[00:32:27] Speaker A: But, um.
But, um.
[00:32:32] Speaker B: Okay, can y'all hear me now?
[00:32:33] Speaker A: Yeah.
[00:32:35] Speaker B: Okay, so what I want to say.
Have a good history with. If you've paid attention over the years, I love your girl. That was him and Wayne arguing back and forth. Lollipop. That was him in the dream going back and forth. He has had issues with women for a long time. However, in regards to Beyonce as a. As a high ranking beehive member, this is definitely some red flags for me, because what's going to happen is he has worked with a ton of people. Justin Bieber, Rihanna, B, two k. Like, all these people from back in. Like, he's worked with a ton of artists and written a ton of artists songs. What happens is, is that people start to look at the artist sideways. So this is the type of nigga you got right in music for you, then other artists or other. Other labels and stuff will not want to work with you because of who you're affiliated with, because of what this nigga has done. That's how it affects the artist as a whole. You know, I'm saying. So he does have a point where he says, like, what's it gonna. What does this look like for Beyonce? Because Beyonce has worked very, very closely with the dream on a lot of her projects. The dream goes traveling. He was supposed to. Well, he typically travels with her, you know, when they go and make music, and he goes on some of her tours.
So he's very, very closely affiliated with Roc Nation.
Yeah. Like, he's connected very heavily. So this does kind of reflect on the artist that he does choose to or, you know, choose to do business with him. So I don't know what that means. It makes me kind of nervous. But a lot of these artists that he has worked with, they're pretty much established. I don't think they're going to take as big of a big of a hit. The person will take a hit here. It's dream Beyonce. I don't think she's going to take any major hits, but I think people will start to look at some of these artists that he has worked with sideways if they're working with someone that is being accused of such, you know, salacious things.
[00:34:21] Speaker A: Right?
Yeah. I mean, she gonna be definitely all.
[00:34:33] Speaker B: Over a lot of her projects.
[00:34:35] Speaker A: I think.
I think Beyonce be fine because I think she kind of like, she's instead.
[00:34:47] Speaker B: Now, if she continues to work with him after all this is said and done, she is accused of something, you know, because I think we've talked about this before outside of. Outside of the show. Like, what do you do when you have partnered up with someone, you have worked and built a bond with somebody and they've been accused of something, you know, as heinous as this is, but they're your friend. They didn't do anything to you. You guys make money together. So should I stop affiliating with this person because of what he's done or is he okay with me because we make money together? You know what I'm saying? So the public is going to be the one to say, hey, we're not effing with Beyonce no more because she still makes music with the dream after what he's done to that woman.
[00:35:24] Speaker A: And truth be told, since all this diddy shit been going on, these people trying to get. Trying to get Beyonce, Jay Z tied.
[00:35:35] Speaker B: Up in that shit, hemmed up in that shit because. Because Jay Z and P. Diddy have been, you know, friends for years, right? So they're saying shit. Well, birds of a feather fuck together. I think they've been trying to get Jay for the longest anyway. I would not be surprised if the Jayz Jay Z is not next on their. Their list. But I just, you know, it makes this. It just makes me nervous for Beyonce. But I don't think anybody hand is clean. That's all I'm going to say.
I don't think anybody's hands is completely clean because Jay Z and Beyonce got their own set of issues with that lady that was murdered a while back, some years ago. That was supposedly the becky with the good hair. I forgot her name, but the becky with the good hair, she was pregnant and wound up dead. So there's a lot of questions that need to be answered with that, too.
[00:36:21] Speaker A: That's what, that's what I'm saying now. I mean, and now everybody begging for Rihanna to drop new music and shit. Now she. If she had a plan to do new music, she. Now she got scrapbook. Come up with another playbook with a dream.
[00:36:45] Speaker B: Rihanna. Rihanna found out that she can sell products and she's good at it. She's not going back to music. That's a rap.
Let that go. Yeah, I mean, I like Rihanna. She. I like Rihanna. But I think Rihanna, I think she had her moment in music. I think she did what she did, and I think it was great. I don't have nothing bad to say, but I think she found her, you know, her sweet spot with selling products. She just knows how to market products. She's a very good. She's very good at selling something to somebody. Beyonce, on the other hand, she struggles with that. She's better at making the music and performing. Rihanna is better at selling the product, showing the product off, and being the image for the product, being the look, the brand.
[00:37:27] Speaker A: Yeah, that's. That's weird.
That's weird.
[00:37:31] Speaker B: Yeah. But not. Not really, because Rihanna is nobody's performer. Beyonce is. Rihanna makes tolerable music. You know, we love Rihanna for the music that she can make. Like, it's almost like Rihanna's like a t bars, you know, saying, like, she worked for the moment. We knew t bars didn't have the best voice, but we liked her. We like the group. We accepted it. But have you ever seen Rihanna live? That girl don't perform. She do a couple bops, she smoke her weed, she sing her song. She's the home girl that, you know, that makes songs.
[00:38:00] Speaker A: I was highly disappointed in her Super bowl performance three years ago.
[00:38:05] Speaker B: Oh, no, I thought it was good. I actually thought that was good. But I've seen her live and it wasn't great at all. But I thought the Super bowl was actually better. What I expected.
[00:38:14] Speaker C: Was she pregnant?
[00:38:15] Speaker A: Yeah, she was pregnant.
[00:38:17] Speaker B: Yeah, she was pregnant. Yeah, I thought it was better than it was. Exceeded my expectations. I'll just say that.
I'll say that, but, yeah, I don't know where this dream stuff is gonna go. I mean, it's just. Again, it's just everything's coming out. Otherworld works. Just everything is coming out. Everybody's talking. So I honestly, I don't know what to believe anymore. I don't know what's true for what's not.
I really don't. But. But some of it is not surprising because us as a culture, just american culture. We have been calling Hollywood Hollyweird for decades. That's always the thing, right?
[00:38:52] Speaker A: Yeah.
[00:38:52] Speaker B: So why, when all this stuff happens, I don't. I don't understand why people be so shocked. Because I'm just like. They say that this stuff happens in Hollywood all the time, so why are we so surprised?
[00:39:04] Speaker A: You know what I think? I think now, I think the surprise of shock.
Shock is moments is pretty much non existent. No, more. Kind of like, okay, here's another one. Here's another one.
I mean, kind of like Donald.
[00:39:25] Speaker B: Yeah.
[00:39:25] Speaker A: Like, who's next, right?
You just waiting to see who come.
[00:39:30] Speaker C: Who.
[00:39:31] Speaker A: Who next to be a damn monster out here.
[00:39:36] Speaker B: Now, what about that young lady? What about that young lady? I can't remember her name right now, and I probably should know that before I bring it up. I think she's dating, like, a basketball player.
Really, really young guy. He's, like, 18. Never mind. I'll give my information. I don't think y'all gonna know.
[00:39:54] Speaker C: Not dream.
[00:39:55] Speaker B: No, not her. It's another one that's out now. And dude is really young. I think he just got in. And she's, like, 24 years old. I think he's 18 or 19.
[00:40:05] Speaker A: Oh.
[00:40:07] Speaker B: But I don't think. I don't have her name right now, so I probably shouldn't have brought it up.
[00:40:11] Speaker A: What happened? I mean, what's the story, though?
[00:40:15] Speaker B: Well, I mean, she's flying, she's running around, you know, with this 18 year old, and everybody's just. Because we're talking about people being weird and women do it, too. That's why. That's my whole point of bringing it up. Like, I. Like women are predators as well in Hollywood. Like, I be wanting that kind of stuff because we're always hearing about these men. I want to hear more stories about women being predators because they're out here, too. They just don't get talked about.
[00:40:36] Speaker A: Well, you know, that. That. On that Mary J. Blige at Danny boy shit got kind of.
[00:40:44] Speaker B: But I told y'all, that's been out.
[00:40:45] Speaker A: But it died. Died down.
[00:40:48] Speaker B: And I think that that's weird, because like I said on the last show that I was on, Danny boy has been talking for years.
This is not new. You could do your own research. You could pull up. I could guarantee you the YouTube it a ton. Tons and tons of videos will come out about Danny boy, talking about this devil, him and Mary. But for whatever reason, it doesn't catch fire, it doesn't catch any traction.
And I don't know if people downplay it because it's a woman and they just don't care. Because I feel like sometimes when this stuff happens to men, people don't care.
It's always a big deal when it happens to women. But once men get violated, it's just kind of like, I don't care, you be alright. You know, she was older, you know, she took your virginity, but it was still wrong. Yeah, yeah. And it was still wrong. But nobody talks about that.
[00:41:37] Speaker A: I think.
[00:41:38] Speaker C: What?
[00:41:38] Speaker A: I think people look at it like, why that nigga complaining for?
What you complaining about that? People look at it like, nigga, who complains?
[00:41:50] Speaker B: That's what I'm saying. It's a, it's a weird. It's a weird double standard.
[00:41:55] Speaker A: Like, nigga, like, you complain about Mary de Blyth flying you out, give you some pussy the fuck around with. You.
[00:42:07] Speaker C: Ain'T prepared for that grown woman man. But I mean, that's the story.
[00:42:21] Speaker B: Like, it's. I feel like it's a lot of men saying, a, bro, you finally got something. You got it from an older woman. Instead of saying, hey, no, hell no, she should be touching on you.
Well, I mean, and so men go silent and they don't say anything. But then, you know, when I. When you hear about it, it's just like, damn, nobody should have it. That's like, you know what Lil Wayne talked about, you know, getting head when he was a young. It's just like, that should have never been happening. But it was too many yes men around him saying, oh, okay, all right, you. You grown man now because you got a stripper to give you some hand. It's just like, no, nigga, that's not okay. All of y'all are condoning fucking rape.
[00:42:56] Speaker C: This is my question. This is my question to a lot of this stuff when it comes down, you know, like your Danny boys and other people that tell their stories, why not go, why, why not go to criminal charge route?
Because if somebody did something to you, you go, criminal charges. Well, not so much civil, not so much. You can write a check and I'll be quiet type thing. But if somebody did something to you so, so bad, right, go criminal.
Criminal charge.
[00:43:32] Speaker A: I think. I think a more, I want to say statue of limitations, something like that, maybe.
[00:43:39] Speaker C: But you were telling your story for years now. You ain't had to wait ten plus years ago.
[00:43:43] Speaker A: You told that shit five years ago, man.
[00:43:46] Speaker C: Was years. Whatever.
[00:43:47] Speaker A: I think it's 42 now.
[00:43:49] Speaker C: I don't know. I don't know how long I'm not heavy into the whole. To that side of it like that.
[00:43:54] Speaker A: So I don't know how long he's old now, man.
[00:43:57] Speaker C: He been talking about it or how long he been saying it or who, who we been saying it to. Yeah, but my thing is with that.
You can go back 42 years on bill.
[00:44:09] Speaker A: Yeah.
[00:44:09] Speaker C: You can go back 42 years on bill.
Okay, 42. Plus.
You can go back.
There's a way to criminally charge somebody for doing something to you. That's all. That's just my question, my general question.
Why not?
[00:44:30] Speaker B: I think it's. I think it's a gender thing. I think it's a gender.
[00:44:34] Speaker C: You still are telling.
[00:44:35] Speaker B: Still.
[00:44:36] Speaker C: I tell your story, though. You telling it like somebody did something to you bad. So I don't understand. I don't, I don't.
[00:44:43] Speaker B: So it's like I bring up gender because it's like I just said earlier, if something happened to you, if you're 1516 years old and some 24 year old woman came on to you and you told your daddy, your uncle, your grandfather, your cousin, 90% of them will probably big you up and say, why are you crying about that? It'll shut a man up to where he, what if he felt violated? But then you got the whole crowd of people bigging you up for getting some ass at 16 from a grown ass woman. That stops you from talking, okay? Because now nobody is in support of, hey, that was rape. We're going to the police because it's looked up, is looked at in our community as a come up. Oh, you finally got some. And you got some from a grown ass woman. Okay? You converted to the other side now. So, no, there is no running to the police. There is no telling about what happened because a lot of men don't look at it like it's a bad thing. It's only a bad thing when it happens to a woman.
[00:45:45] Speaker C: So.
[00:45:45] Speaker B: And what I'm saying is that kind of shit gotta stop.
[00:45:48] Speaker C: See.
[00:45:51] Speaker A: I disagree is about. I think you try to make it more of a culture thing. I think that is a society thing. I think both cultures come into play here with it between men and women.
[00:46:07] Speaker C: So. Okay, I can see your point on that. Now, my thing is, you 1516 years old, your uncle, them, they bigging you up, right? Okay, fine. But you still feel like it's wrong.
[00:46:20] Speaker A: Who feel like you're wrong?
[00:46:21] Speaker C: I mean, whoever's in the person. Yeah, the person.
[00:46:25] Speaker A: It was me. I 15. I fucked 24.
[00:46:27] Speaker C: I ain't say you. Oh, I ain't say you I'm saying in this situation.
[00:46:30] Speaker A: Right, okay.
[00:46:31] Speaker C: But then if you feel like it was wrong, you wait till you 35 40 to start talking about how bad it was for you.
[00:46:39] Speaker B: Right? Because nobody takes it as a negative. Everybody took it as a victim.
[00:46:45] Speaker C: Still feels like a victim for all these years. You had your right.
[00:46:49] Speaker B: And you're a child, still a child. So you can't approach this police. You can't go to this police station with this issue without parent.
[00:46:56] Speaker C: I'm not talking about, he's still a minor. I'm talking about as he got older and he became 1819, 2021, he should.
[00:47:03] Speaker A: Have felt some type of way.
[00:47:04] Speaker C: If he was still feeling like he.
[00:47:05] Speaker B: Victim married Jay Blige.
[00:47:07] Speaker C: If you still feel like you was.
[00:47:08] Speaker B: A victim and you going up against a marriage, you 40 years old, and.
[00:47:12] Speaker C: Going against a Mary J. Blige, you're doing the same thing. Now.
[00:47:14] Speaker B: He's not going up against her. He's not going up against. He didn't sue her. He's telling his story.
[00:47:19] Speaker C: Yeah, to do what?
[00:47:20] Speaker B: He's not suing her.
[00:47:21] Speaker C: So you tell your story.
[00:47:22] Speaker B: All he did was tell his story.
[00:47:24] Speaker C: He tell his story to get. To do what out of. To get what?
[00:47:27] Speaker B: I don't, I don't know. That's, that's why Danny born. See, the thing, you would have to ask him that, because clearly he's not, he's not doing it for money because he's been telling the story. I don't think he's looking for any monetary, monetary wars here.
[00:47:41] Speaker C: So you feel like you want her to answer for her? For what? Her wrong.
[00:47:45] Speaker A: I think he tried to garner public.
[00:47:48] Speaker B: Maybe he just wanna bring it to light. Maybe he just wanna bring some attention to it.
[00:47:52] Speaker C: Or he wanna, you know, make her look like the predator, the pedophile, that.
[00:47:57] Speaker A: She was gonna demonize her publicly.
[00:48:00] Speaker C: Okay.
I mean, I'm just asking a question here, like, that's all. I'm just, you know, if you're gonna, you know, say these things, then why not go pursue it criminally for somebody that did something criminal violations, they're gonna think you're.
[00:48:17] Speaker B: Because they're. Because they're gonna think you're a pussy.
[00:48:19] Speaker C: It's not. So you gonna be a 1651 year old pussy, or you gonna be a 40 year old puss? Cuz you're talking, you doing the same talk.
[00:48:26] Speaker B: See, well, when you're 16 and don't know any better, you're immature. You're not thinking about, you're thinking about how people are gonna view you.
[00:48:32] Speaker C: Not 16. I'm talking about when you. 202-223-2425 I'm talking.
[00:48:37] Speaker B: Okay? And that's fine. I get. I get what you're saying. You are correct. Why wait so long? But we ask this question everybody time, whether it's a man or a woman. I don't know why these people choose to do what they do. I don't know why. But you know that it's up to the individual because maybe they didn't want to talk about it. Maybe they were ashamed, maybe they were embarrassed. Maybe they didn't feel like anything was going to happen, because clearly nothing happens to mary with all these accusations from Danny boy because nobody's saying shit about it.
[00:49:01] Speaker C: So they're not criminal.
[00:49:02] Speaker B: So maybe that's why. So maybe that's why I choose to stay quiet. Because nobody takes me seriously. Because I'm a man and I got violence.
[00:49:08] Speaker A: No one cares.
[00:49:10] Speaker C: Make it criminal. Don't get on. Don't get old.
[00:49:17] Speaker B: I'm done with it. I'm done with it.
[00:49:20] Speaker C: Didn't Cassidy go legal?
[00:49:22] Speaker B: But here's the thing. But see, but see, Cassie, Cassie. Cassie went up. But you went up against. Cassie went up against a major, major player here. When you're 1617 in hell, maybe even 35, and you don't. You don't have that kind of money to go up against a Mary J. Blige. You might lose. Without proof, you might lose. You don't have the money to keep going to court. That's why Cassie. Cassie been hoarding money.
She could probably afford to get a lawyer and take, and take Diddy down using diddy money that he probably gave her.
When you go. When. When big people do do big shit, the small people, that's. That's used as an intimidation factor. That's a tactic. I know you ain't finna do shit because I'm Beyonce, and you can't afford to go up against a Beyonce.
Yeah, who gonna believe you? They gonna believe you, or they gonna believe I never did no shit like that.
[00:50:17] Speaker C: I just.
I see your point. But I look at it, too, as there. There are people out here that'll take that case. Just. Just so you got your being crumping, you being crumps. And the rest of you guys, they'll take cases.
Yeah, they'll take them. I believe they will take them and go after whoever they need, you know, go after that person.
[00:50:41] Speaker B: So, yeah, if you got a valid.
[00:50:43] Speaker C: Case, yeah, there's people, there's attorney that would take those cases. So I just, you know, again, but.
[00:50:48] Speaker B: I do think I do think it's weird that it doesn't fire. I do think that that's strange.
[00:50:55] Speaker A: What about Gail King? Want to get Lenny Kravitz and put some good motor America?
[00:51:00] Speaker C: What are you talking about?
[00:51:07] Speaker A: She was, man.
[00:51:13] Speaker C: No, man.
[00:51:15] Speaker A: Fucking nine years. He has in nine years.
And Gail want to be. Want to break him. Break him out of that shit, man.
[00:51:25] Speaker C: Come on, man. Gail King long ass face ain't breaking nobody out of.
[00:51:28] Speaker A: Gail King. Still fine. Now she's like 70. Still fine to be 70.
[00:51:33] Speaker C: All right, come on. That's your opinion, bro. That's what he's saying. That's on you, bro.
[00:51:38] Speaker A: What do you say? Charney?
[00:51:39] Speaker C: Ain't nothing attractive, nothing attracted by Gail King to me. Damn me, it would work out.
[00:51:47] Speaker A: Gail King still got it for.
[00:51:49] Speaker C: Okay. Me, my killer. I'll let you have that.
[00:51:52] Speaker B: You go ahead and get you a gale king. Go ahead and keep it.
[00:51:54] Speaker A: I just saying she else to you.
[00:51:58] Speaker C: European, your legal hell the fuck? No.
No, I don't, bro.
[00:52:05] Speaker A: What about the. Damn.
The Pennsylvania crossing guard giving them kids.
[00:52:11] Speaker C: Weed as they cross the street.
[00:52:12] Speaker A: Cigarettes and marijuana.
[00:52:14] Speaker C: That lady got more hair on her face than me and you.
[00:52:17] Speaker A: That was a makeup runner.
[00:52:20] Speaker C: Will you draw a mustache?
Come on, score. Man. Not only I sell the drugs, I'm using them, too.
The e cigarettes, the weed and everything else this young lady had going on. She had a whole network of shit going on across that street, man, hooking them kids up, bro.
[00:52:41] Speaker A: Bumby.
[00:52:43] Speaker C: I ain't got no problem with Bunby, man. Bunby shot the n that tried to rob him and was going to court to make sure that nigga go to prison.
[00:52:51] Speaker A: Did bumby a snitch?
[00:52:52] Speaker C: Nope. How you gonna snitch on the tape that shows the nigga coming your house?
How's that snitching?
I'm asking a question. How's that snitching?
[00:53:00] Speaker A: Charlie, you think bum is snitch?
[00:53:04] Speaker B: No, I don't. I don't agree. I don't think he's a snitch at all. I mean, any man that goes on the stand and tells a story of what happened from, you know, from his house getting robbed.
[00:53:14] Speaker C: Yeah, I'm gonna talk. Nigga bus up in my house with a gun. Had my wife, and I ain't supposed to do nothing, and I'm.
How's that snitching?
[00:53:24] Speaker B: He stayed. He stated in his interviews that, you know, he was. He was literally on the.
[00:53:29] Speaker A: On the toilet.
[00:53:29] Speaker B: Like he was actively going to the bathroom when this happened. And so he. When. When his wife was being held at gunpoint. He was naked. Like, he pulled up on this guy naked, no bottoms, no nothing, and shot him as he took off on foot. So, no, I don't understand the culture, you know, calling him a snitch because he took the stand and spoke about how the incident was so traumatic, you know, toward him and his wife.
[00:53:55] Speaker C: Nigga, come in your house.
[00:53:58] Speaker B: But I think.
[00:53:58] Speaker C: And the tape shows the nigga coming in. The people try to say, I think it's because corny.
[00:54:04] Speaker B: I think it's because his image, like, he. He portrays himself as a gangster rapper.
Real life thing. Yeah, I think when these real life situations happen, people expect for them to handle it like they do in the rap songs or in the movies. And it's just like, I got to go to trial to make sure that this nigga that robbed me goes to jail. That's how this works.
[00:54:23] Speaker C: What, what, what part? What ain't gangster? By getting off the toilet and shoot the nigga in your house. That's robbing you.
You shot the niggas. You shot that nigga so much, he dropped his own fucking gun and ran out.
Where are you gangster about that? When it time to go live, he went live.
When he got time to get active, he got active.
[00:54:46] Speaker A: They try to say how he got caught.
[00:54:49] Speaker C: He did. He shot the nigga.
[00:54:50] Speaker B: He shot a nigga on the run.
[00:54:51] Speaker C: The nigga ran and ran to the hospital, and they locked him up.
[00:54:53] Speaker B: Like he turned himself into the hospital, and that's how he got caught.
[00:54:57] Speaker C: Yeah. What kind of streak does he gonna get out of there?
The nigga already got the gun out. He got the drop. I come around the corner, bus him the f. What the fuck are we talking about?
[00:55:09] Speaker A: Yeah, so people give a damn bumby a hard time with that.
[00:55:13] Speaker C: People just stupid as fuck. Yeah, that shit stupid, man.
That whole fucking Twitter fingers are fucking stupid sometimes, man. Stupid as fuck, man. Defending his house and defending, you know, defending somebody, breaking his shit, trying to rob him and his wife. He come around the corner bussing. So he in the courtroom saying, look, yeah, just the tape right there. Nigga come in my house, I came around the corner bussing, and my wife all shook up and going through therapy or whatever else. But for that cause somebody done violate your house, rule your space where you feel the safest at.
And he got emotional about it because she could have died, and he could have died.
Fuck all that.
You know how many times I heard motherfucker cried crying, there might rack in that bed at night after getting shot at.
Hell, I shared a few fucking tears.
Yeah, when you see a car full of kids dead, get the fuck outta here, man. Man, fuck them niggas.
[00:56:15] Speaker A: Y'all wanna hate this last story before we get out of here.
[00:56:17] Speaker C: Can't stand it. They talk about something. It got me pissed off.
[00:56:21] Speaker A: The dad blocks the superintendent for shaking hands with his daughter.
[00:56:24] Speaker C: Somebody should've punched him in his face.
Damn, I wish I was on that stage, bro.
[00:56:30] Speaker A: Wow.
[00:56:31] Speaker C: Out of cold. Out of dick that motherfucker, man.
[00:56:34] Speaker A: You dicked him.
[00:56:35] Speaker C: Yeah, out of dicked him like they say, like white people out of dicked him.
Serve that motherfucker two piece biscuit, extra fries, and a large drink on that damn stage, bro.
[00:56:46] Speaker A: Ruin his child graduation.
[00:56:48] Speaker C: No, he ruined everybody's graduation first. You ran your ass up on that stage. I don't know what you come up here to do.
I would have defended myself.
You ran your ass up on this stage. You getting your ass jumped on. They all should have jumped on this motherfucker out there.
What you doing running on the stage, man? You got the faculty up there, the kids coming.
[00:57:08] Speaker B: Where did you have. Yeah, where did you get all that free reign to do that like that?
[00:57:12] Speaker C: I don't know where he ran. You never saw him on the camera. You heard him on the video.
[00:57:16] Speaker B: Nobody should have been seated. There's no reason for that, dad, to have that much access, first of all. That's.
[00:57:21] Speaker C: And you run up on that stage, I don't know what's on your mind when you run up on here, bro. I'm going full defense mode.
[00:57:28] Speaker B: You can tell the poor girl was embarrassed. Like, you can tell she was like.
[00:57:32] Speaker C: Ruined the shit for life, bro. She'll never get past this.
[00:57:36] Speaker B: That kind of energy you put in. You didn't even care that it was your own daughter's graduation. But your racism was more important than your daughter actually walking across that stage, people cheering for her and getting what she need to get that Trump. Your racism trumped that entire moment. That's disgusting.
[00:57:52] Speaker C: That's how kids lead. That's how kids leave your ass, bro. That's how kids break off from you. Shit like that.
Because clearly, they don't let that young lady. It's not like that. Clearly. If you. If that. If she was, she wouldn't have been so embarrassed looking when this dude ran his ass up there like that. That whole. A lot of people should be embarrassed by that. Him, her, the mama, all the muffler should be embarrassed. Like, what are you doing, man?
[00:58:17] Speaker A: The dad said what he. He's saying. People get the wrong perspective on the whole situation. What about anything about race?
[00:58:24] Speaker C: What the fuck is about then?
[00:58:25] Speaker A: He said it was about, um, that the school, some school board officials.
That's bullshit. Showing favoritism and paying certain teachers money and certain teachers not getting money. So. And they actually doing, like, a recall on, like, the president of the board and all that shit like that.
[00:58:49] Speaker C: Man say that bullshit. Somebody man say that country had bullshit.
[00:58:52] Speaker B: So you couldn't do that at the board meeting.
[00:58:54] Speaker C: Yeah, that's why they have parent teacher conference. Divorce your fucking opinions.
And first off, how you know what these teachers making? Well, who getting paid and who ain't getting paid? Are you a fucking teacher?
[00:59:05] Speaker A: I don't know.
[00:59:06] Speaker C: Do you work at the school system? You cut some checks? Nigga.
[00:59:08] Speaker A: Say him and some of the residents in the community.
[00:59:11] Speaker C: You hollered at the black guy.
[00:59:14] Speaker A: Mm hmm.
[00:59:15] Speaker C: She came through there. It was six people in that fucking line.
[00:59:19] Speaker B: And then you waited to do it when your daughter went up there. Now nobody else is. Yeah.
[00:59:22] Speaker C: You ain't hollering. Yes, exactly. You didn't holler when the rest of these white guys went through.
You did that when yours went up there and you told, don't. You don't touch here. You not. Y'all. You fuck out of here, man.
Racist bouncer.
Fuck you. You should have beat your ass on that stage, man.
They should have beat the goddamn.
[00:59:46] Speaker A: He did get locked up, though, this.
[00:59:48] Speaker C: Should have beat.
[00:59:48] Speaker A: Locked his ass up.
[00:59:49] Speaker C: They should have beat the dicks that crystals out his ass up there, man.
[00:59:51] Speaker A: They locked him up.
[00:59:52] Speaker C: They should have beat that damn flag off his damn neck. Boom. Should have beat the fuck out of him.
Collectively.
Superintendent.
Damn. Vice principal. All of us should have got it down. Stunt him. Took the damn hard bottom shoes and went his ass up there on that damn stage, man.
[01:00:07] Speaker A: Where?
[01:00:08] Speaker C: Piece of shit.
[01:00:10] Speaker A: Anybody got anything else?
No.
Y'all ready to get us to scumbag tip of the week?
[01:00:19] Speaker C: Yeah. Shannon, you wanna go first?
[01:00:21] Speaker B: Yup, I'll go first.
My scumbag tip of the week is for everyone to pay attention to Project 25.
It's a lot going on with that. Yeah, it's a lot going on with their project 2025. And it's wild as hell. I think it's like 907. Yeah, something like that. Yeah, it's really long. And it's a lot of shit that's in there that they're trying to change within the country. And it's. And it's very, very scary. So my tip is, if you don't know, you need to brush yourself up on that information.
[01:00:54] Speaker C: That's a very good. I bring it up next show because I want to read up on it more. That's some wild shit.
That's some wild, very dangerous, completely out do what? Shutting it down out do what department education out of you. Don't need you no more. Taking out certain words like that make any fucking sense. Abortion, like all those rules of being banned, like issue. Wow, bro, it is.
[01:01:22] Speaker B: They already started taking african american studies out of colleges. Like, all kind of stuff is happening. People just need to just really start paying attention. Like, I know that it, like, people are, you know, turned off from Trump and all this other stuff that we have going on, but it's really important to pay attention this election. And I don't get into politics, but that shit, we gotta pay attention.
[01:01:41] Speaker C: That shit's. Wow.
So that's my pages of some bullshit. That shit gonna disrupt everything that we ever knew growing up. Oh, yeah, read up on it, man.
[01:01:50] Speaker A: I check it out.
[01:01:51] Speaker C: Um.
That's a good, that's a good point, Charlie. That was good. I was definitely gonna do some more research on that and bring it up next. Show my scumbag tip of the week. Not necessarily tip, but it is a me is mental health month.
I know it's another month, but we ain't gonna talk about. We're gonna talk about men's mental health month. You know, anybody that has those type of issues going on, please advise them or help them get the help that they need.
It's big. Mental health is a real big thing. And with everything going on in the world, it's easy to become stressed and, you know, mental health is at a strain. So again, this is men's mental health month.
Please look out for your fellow brother and sister out there, man. Help them out.
That's all I got.
[01:02:43] Speaker A: Scum worry, man. Well, I don't really have much of a scumbag tip, but other than Father day coming up, and I just want to wish all the fathers that, listen, man, happy Father's day.
[01:02:54] Speaker C: Some of your women that being followed, the same thing.
[01:02:57] Speaker A: And we'll see y'all next week.
Peace.
